Monday, February 14, 2005

On truth and bullshit in the modern world

A couple of interesting articles in today's Times discussing books that tackle the possibility of arriving at "Truth" in the modern world.

A Princeton Philosopher's Unprintable Book Title can be printed here: On Bullshit.
The opening paragraph of the 67-page essay is a model of reason and composition, repeatedly disrupted by that single obscenity:

"One of the most salient features of our culture is that there is so much [bull]. Everyone knows this. Each of us contributes his share. But we tend to take the situation for granted. Most people are rather confident of their ability to recognize [bull] and to avoid being taken in by it. So the phenomenon has not aroused much deliberate concern, nor attracted much sustained inquiry."
The book was written nearly twenty years ago, before the Bush Administration, believe it or not!Just where does Scotty McClellan fit into this schema?
"It is impossible for someone to lie unless he thinks he knows the truth," Mr. Frankfurt writes. "A person who lies is thereby responding to the truth, and he is to that extent respectful of it."

The bull artist, on the other hand, cares nothing for truth or falsehood. The only thing that matters to him is "getting away with what he says," Mr. Frankfurt writes. An advertiser or a politician or talk show host given to [bull] "does not reject the authority of the truth, as the liar does, and oppose himself to it," he writes. "He pays no attention to it at all."

And this makes him, Mr. Frankfurt says, potentially more harmful than any liar, because any culture and he means this culture rife with [bull] is one in danger of rejecting "the possibility of knowing how things truly are." It follows that any form of political argument or intellectual analysis or commercial appeal is only as legitimate, and true, as it is persuasive. There is no other court of appeal.

The reader is left to imagine a culture in which institutions, leaders, events, ethics feel improvised and lacking in substance.
Tackling the problem from an entirely different angle is this review of a new book on Godol:
Truth, Incompleteness and the Gödelian Way
By EDWARD ROTHSTEIN

Relativity. Incompleteness. Uncertainty.

Is there a more powerful modern Trinity? These reigning deities proclaim humanity's inability to thoroughly explain the world. They have been the touchstones of modernity, their presence an unwelcome burden at first, and later, in the name of postmodernism, welcome company.

Their rule has also been affirmed by their once-sworn enemy: science. Three major discoveries in the 20th century even took on their names. Albert Einstein's famous Theory (Relativity), Kurt Gödel's famous Theorem (Incompleteness) and Werner Heisenberg's famous Principle (Uncertainty) declared that, henceforth, even science would be postmodern.

Or so it has seemed. But as Rebecca Goldstein points out in her elegant new book, "Incompleteness: The Proof and Paradox of Kurt Gödel" (Atlas Books; Norton), of these three figures, only Heisenberg might have agreed with this characterization.

His uncertainty principle specified the inability to be too exact about small particles. "The idea of an objective real world whose smallest parts exist objectively," he wrote, "is impossible." Oddly, his allegiance to an absolute state, Nazi Germany, remained unquestioned even as his belief in absolute knowledge was quashed.

Einstein and Gödel had precisely the opposite perspective. Both fled the Nazis, both ended up in Princeton, N.J., at the Institute for Advanced Study, and both objected to notions of relativism and incompleteness outside their work. They fled the politically absolute, but believed in its scientific possibility.

And therein lies Ms. Goldstein's tale. From the late 1930's until Einstein's death in 1955, Einstein and Gödel, the physicist and the mathematician, would take long walks, finding companionship in each other's ideas. Late in his life, in fact, Einstein said he would go to his office just to have the "privilege" of walking with Gödel. What was their common ground? In Ms. Goldstein's interpretation, they both felt marginalized, "disaffected and dismissed in profoundly similar ways." Both thought that their work was being invoked to support unacceptable positions.

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